For those of you who remember our visit to the extraordinary home collection by Charles Brooking: his XVIII century windows are part of this year’s Venice Biennale Exhibition.

Charles Brooking Venice

for details about the 14th Biennale, below is the link to the article on Designboom

Last few days to see at the Serpentine Gallery:  Wael Shawky: “Myths and Legends” and Jake and Dinos Chapman : “Come and See” , until the 9th of February, entrance free

See reviews of the exhibitions by Simon Withers on the Unitfifteen blog, and a recommendation to start the show with Wael Shawky ! … before you move onto the provocative and gut churning Chapman brothers, not for the faint hearted. Simon describes it as ‘Lurid, morbid, fearful, ghastly. And wonderful.’

Edit of the 8th Feb. the Chapman Brothers show is indeed a lot to take on, and somehow testing the limits of what you may deem acceptable. I turned around before long. The Wael Shawky show on the other hand, and especially the “al araba al madfuna II” film, was intriguiging, not the least for its amazing setting, the ruins of what looks like a huge compendium for birds. The shots of this abandoned building are astounding.

al araba al madfuna II

Serpentine Gallery website

interview with the artists

This year’s RIBA President’s Medals have been announced.

Razna Begum, from Greenwich University won the Serjeant Drawing Award, you may remember her project for the Grunewald Athenaeum.


grunewald athenaeum

Another project you might recognise, is the New Lohachara project by Kirsty Badenich, from Aarhus School of Architecture, which we saw exhibited at Copenhagen Royal Academy of Fine Arts at the beginning of November.

new lohachara 01 new lohachara 02 new lohachara 03

Finally I’d also like to draw your attention to an Island project, Kizhi Island,  by Ben Hayes, UCL, which won the silver medal and has worked across various media.

Kizhi Island 01 Kizhi Island 02

More on the projects can be found online here . They will be exhibited at the RIBA, 66 Portland Street, London, W1B 1AD until the end of January.

Artist Richard Wilson Lecture

Wednesday 20th November @ 6pm – Norbert Singer Theatre, Avery Hill

Richard Wilson will talk about some of his more grander architectural works from the past 20 years.

Richard Wilson is one of the country’s most renowned sculptors. He is internally celebrated for his interventions in architectural space, which draw heavily for their inspiration from the worlds of engineering and construction.

Richard Wilson Lecture

Edward W Soja lecture at Greenwich University
Monday 18th November 2013 – 6pm
Maritime Campus, King William Building KW315

Edward W. Soja is distinguished Professor (Emeritus) of Urban Planning at UCLA. He is the author of Postmodern Geographies (1989; new Verso edition), Thirdspace (1996), Postmetropolis (2000), Seeking Spatial Justice (2010) and most recently My Los Angeles, forthcoming in 2014 from University of California Press.

In Thirdspace, Soja reached beyond dualism to describe a theory in which “everything comes together… subjectivity and objectivity, the abstract and the concrete, the real and the imagined, the knowable and the unimaginable, the repetitive and the differential, structure and agency, mind and body, consciousness and the unconscious, the disciplined and the transdisciplinary, everyday life and unending history.” (Thirdspace, 1996)

in an article for the Journal of Literary Theory by Kathrin Winkler, Kim Seifert and Heinrich Detering titled “Literary Studies and the Spatial Turn” [JLT 6/1 (2012)], we read:

“The term “spatial turn” was introduced by the human geographer Edward W. Soja, who used it in the mid-nineties to call for greater attention to be given to the category of space, which he believed had been neglected. […]This article draws on Edward W. Soja’s concept of a thirdspace in arguing for real and imagined spaces to be brought together. In his concept of space, Soja turns to ideas of the French sociologist Henri Lefebvre, in whose model of space the separation of physical from mental space is set aside. On this basis, Soja identifies the perspectives of physical space alone (Soja’s firstspace) and mental space alone (Soja’s secondspace) as illusory truncations, for in neither case is the other and necessarily complementary aspect included. For Soja, space must be understood as simultaneously real and imagined (Soja’s thirdspace), for it always represents a link between physical, geographical spaces and mental, cultural constructions of space. Soja, a human geographer, is perfectly explicit about the fact that his concept of thirdspace is addressed not only at geography and other disciplines that are concerned by definition with geographical space, but at all disciplines that engage with spatiality as part of the spatial turn. ”

full abstract can be found here


about the lecture: “Urban restructuring over the past thirty years has been leading to a sea change in the very nature of the urbanization process. Signs of this change were recognized long ago in such terms as edge cities, outer cities, peripheral urbanization, boomburbs and metroburbia. But few realized that what was happening represented the end of the modern metropolis, the urbanization of suburbia, and the emergence of a very new urban form and way of life. This shift is what is behind such new terms as regional urbanization, city regions, regional cities, megacity regions, megaregions, and such notions as the urbanization of the world and planetary urbanism. This lecture will provide a detailed look at the regional urbanization process as it develops at several different scales.”

From  Saturday 16th November until the 14th of December there will be three concomitant exhibitions at the AA.

CLUIcabinets3 CLUIcabinets4

[Images: Going through the archives, maps, and files of the Center for Land Use Interpretation, including one of Geoff Manaugh’s favorite headlines of all time: “Emptiness welcomes entrepreneurs”; photos by Mark Smout].

The first exhibition is “The British Exploratory Land Archive (BELA)” by Smout-Allen and BLDGBLOG, which was first presented at the Venice Architectural Biennale last year.
Geoff Manaugh describes BELA in his blog:

BELA is directly inspired by the Los Angeles-based Center for Land Use Interpretation (CLUI). It aims to unite the efforts of several existing bodies—English Heritage, Subterranea Britannica, the Airfields of Britain Conservation Trust and even the Department for Transport, among dozens of others—in a project of national landscape taxonomy that will combine catalogues created by distinct organisations into one omnivorous, searchable archive of human-altered landscapes in Britain… From military bases to abandoned factories, from bonded warehouses to national parks, by way of private gardens, council estates, scientific laboratories and large-scale pieces of urban infrastructure, BELA’s listings are intended to serve as something of an ultimate guide to both familiar and esoteric sites of human land use throughout the United Kingdom.

more info on BLDGBLOG hereand opening times on the AA website here

other exhibitions at the same time are

Random Structures by Sachiyo Nishimura

Not What But How

DLAB: Light Forest

details of which can be found here